Gundam Eclipse
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Gundam Eclipse is Moving!

September 26, 2018 — by tc012009

An important announcement was posted in GE Forum News regarding the future of the community. The forum had accumulated 240 topics and approximately 1,900 posts in its announcements section by this time.

  • Posted in GE Forum News
  • Final recorded announcement in the section

Moderoid 1/60 SAVAGE CROSSBOW

Creating A Post-Apocalyptic Desert Base

A convincing post-apocalyptic desert base begins with a clear story: a mobile suit abandoned beside a collapsed relay station, a half-buried supply crate, or the remains of a machine once used to defend a settlement. Pigments, rust effects, cracked earth and faded paint can turn a simple plinth into a scene with history.

For Australian builders, the landscape offers plenty of useful reference. Red dirt around Alice Springs, pale dust near Adelaide, cracked ground in western New South Wales and the harsh glare of Perth summers all produce different desert colours. The aim is to capture that environmental feeling while keeping the finish believable at scale.

Plan The Scene Before Painting

Decide where the eye should land first. A damaged Gundam placed slightly off-centre usually creates a more natural composition than a perfectly centred model. Add a low wall, broken pipe or discarded panel to guide attention towards the machine without making the base look crowded.

Keep the story consistent with the suit’s condition. A unit showing fresh battle damage should have exposed metal, displaced armour and dust caught in recesses. For guidance on creating believable impact marks, study this soldering iron damage technique before committing to the base design.

Build A Strong Ground Texture

Foam board, cork, plaster, air-drying clay and textured acrylic paste are all useful foundations. Cork gives a naturally broken rock shape, while plaster works well for hard-packed earth and concrete fragments. Seal porous materials with diluted PVA glue so later washes do not soak in unevenly.

Create height changes rather than spreading texture evenly across the entire base. A shallow depression can hold darker dust, while a raised ridge catches light and pale pigment. Press small stones, sand and broken plastic into the surface before the adhesive dries, but avoid using loose beach sand without cleaning it first.

Choose Colours From Real Landscapes

Start with a restrained palette of earth tones: warm ochre, dusty tan, muted red, grey-brown and a little desaturated cream. A red desert base can still include cool grey shadows, especially beneath armour, rocks and wreckage. Pure orange often looks artificial at scale, so soften it with brown or neutral grey.

Airbrush or brush-paint the main ground colour, then build variation with thin translucent layers. Australian soils vary dramatically between regions, so a base inspired by the Pilbara should not receive exactly the same treatment as one based on the dry outskirts of Melbourne. Photographs taken outdoors are more useful than relying on memory.

Layer Pigments For Dust And Age

Pigments are most effective when applied gradually. Brush a darker powder into panel gaps and around the feet, then place lighter dust on raised edges and horizontal surfaces. Stipple several related shades instead of blending everything into one flat colour. This creates the subtle accumulation seen on abandoned machinery.

Fix the deepest pigment with pigment fixer or a very light mist of suitable varnish, then add loose powder over the top. Keep the final layer unfixed in a few protected areas for a soft, dusty appearance. Work over a tray or sheet of paper, particularly in a small hobby room where fine pigment can settle on tools and furniture.

Create Rust With Restraint

Rust should appear where water, damaged paint and trapped dirt could realistically meet. Good locations include bolt heads, cut edges, exposed frame sections, drain points and the bottom of damaged panels. Begin with a dark brown base, add a few reddish-orange marks, and finish with tiny flecks of pale orange or ochre.

Use a sponge to chip paint around high-wear areas, but vary the size and direction of the marks. A pin wash of dark brown enamel or oil paint can define seams, while a dry brush of metallic grey on selected edges suggests freshly exposed metal. Too much bright silver will make the machine look polished rather than abandoned.

Connect The Suit To The Ground

The feet should appear to carry weight. Add compressed dust around the soles, darker pigment beneath the ankles and a slight build-up where the machine has disturbed the soil. If the suit is posed dynamically, add a small scatter of displaced stones or a shallow footprint to show movement.

Consider how the wind would affect the scene. Dust gathers behind obstacles and inside sheltered recesses, while exposed corners receive a lighter, cleaner coating. A few strands of dried grass or a broken sign can suggest the remains of a settlement without turning the base into a diorama filled with unrelated props.

Seal, Compare And Display

Seal the completed base with a carefully chosen finish. Matt varnish suits dry earth and oxidised paint, while a satin finish can be reserved for oily stains, glazed warning panels or recently exposed metal. Test varnish over spare pigment first, as some products darken powders or make them appear glossy.

A practical finish depends on the effect you want to preserve. Builders comparing materials can use this guide as a quick reference:

Material or effect Best use Finish to aim for Common mistake
Fine tan pigment General dust and dry soil Soft matt Applying one colour everywhere
Red-brown pigment Iron-rich earth and rust dust Matt, slightly varied Making the ground bright orange
Dark enamel wash Panel lines, cracks and recesses Satin to matt Leaving tide marks
Sponge chipping Worn paint on props and armour Matt with selective metallic edges Repeating the same chip pattern
Textured paste Cracked earth and compacted ground Matt, uneven Creating texture that is too large for scale
Pigment fixer Securing loose powder Natural matt Flooding the surface and causing stains

Store powders and solvent products in labelled containers, away from children and heat. Australian state and territory rules differ for disposing of paint, thinners and contaminated rags, so use a local council household chemical collection service rather than tipping liquids down a drain. Hobby shops in Sydney, Melbourne, Brisbane and other major cities often stock weathering powders, while hardware retailers can supply useful masking and storage materials.

For inspiration beyond a desert scene, compare how design language changes across different Universal Century kits in this Moon Gundam review. You can also share progress photographs in the work-in-progress gallery, where other builders can suggest colour adjustments before the final varnish.

Post photographs of your finished base in the Gundam Eclipse Display Case and describe the pigments, washes and materials you used. Sharing the process gives other builders practical ideas and helps turn a single weathered model into a useful conversation about mecha modelling.

A member-contributed review of the Moderoid 1/60 SAVAGE CROSSBOW kit, published in the Gundam Eclipse Reviews section. The reviews area hosted 246 topics and roughly 1,400 posts.

PG 00 Gundam

November 4, 2018 — by heathorn

A completed Perfect Grade 00 Gundam build showcased in The Display Case. This section featured approximately 2,200 topics and 24,900 posts, making it one of the forum's largest galleries of finished work.

HG Zeta Gundam Evolution Project

2018 — by kajnrig

An ongoing High Grade Zeta Gundam customization project shared in the Work-in-Progress Thread. This was the most active section on the forum, with roughly 1,400 topics and 34,300 posts where members exchanged feedback and progress updates.