Gundam Eclipse
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Gundam Eclipse is Moving!

September 26, 2018 — by tc012009

An important announcement was posted in GE Forum News regarding the future of the community. The forum had accumulated 240 topics and approximately 1,900 posts in its announcements section by this time.

  • Posted in GE Forum News
  • Final recorded announcement in the section

Moderoid 1/60 SAVAGE CROSSBOW

Matte topcoat mastery: a clean finish without frosting

There's a particular kind of grief that hits when you peel a model out of the spray booth and catch a milky veil across a crisp paint job. Frosting ruins builds, turning deep panel lines into chalky shadows and making metallics look like they've been dipped in talc. Many Australian builders have stared at a frosted kit wondering where it went wrong.

The issue isn't the product. Most premium matte clears from Mr. Hobby, Tamiya, and Vallejo are well-engineered. Frosting happens when the clear coat can't lay down smoothly, because the environment is fighting back, the surface wasn't ready, or the spray pattern was too heavy. Each of these variables can be controlled with a bit of discipline.

Australia adds a few extra wrenches. Humidity along the Brisbane River in summer can sit above seventy percent, while a Perth garage in February might be bone dry but forty degrees. Coastal Sydney and Melbourne add pollen and salt drift to the mix.

This walkthrough covers the causes of frosting, the prep that keeps it at bay, the brands worth trusting, the spray technique that prevents haze, and the timing tricks that help you catch the weather.

What frosting actually is

Frosting is a micro-texture problem, not a colour problem. When matte clear dries too fast or unevenly, the flattening agents rise to the surface and create a microscopic bumpy layer that scatters light. That scattering reads as a white haze, especially over dark colours, gloss blacks, and metallics.

A few causes sit at the top of the list. Spraying too close leaves the coat too wet, so flattening particles clump as they dry. Spraying too far dries the mist before it lands, leaving each droplet half-set and unable to flow out. Either extreme leaves a textured film that looks like faded plastic.

Temperature and humidity finish the job. Cold air slows drying and lets moisture settle into the wet coat, while very hot, dry air flash-dries the surface and traps solvent underneath. Both paths lead to the same chalky result.

Prepping the surface and your workspace

A clean part is non-negotiable. Even fingerprints can repel clear coat in tiny patches, leaving an uneven sheen that reads as fogging under raking light. Wipe each piece down with a lint-free cloth and a drop of isopropyl alcohol before spraying. Static-cling wipes are popular among locals who build near the coast where salt drifts through open garage doors.

The workspace matters just as much as the part. A cardboard booth on the back verandah works for a quick dust coat, but a sealed booth with active extraction gives far more consistent results. Plenty of Aussie hobbyists rig a cheap extractor fan from Bunnings into a timber booth and vent it through a window.

Climate control inside the booth is often overlooked. A small dehumidifier or portable air conditioner running during the session stabilises the air and prevents humidity swings between passes.

Choosing a topcoat and thinner

Not all matte clears behave the same way. Lacquer-based formulas like Mr. Hobby Mr. Super Clear and Mr. Color Leveling Thinner flow out beautifully but flash fast, punishing sloppy technique. Water-based acrylics such as Vallejo Mecha Varnish are forgiving and low-odour, ideal for a suburban Adelaide garage, but they need longer cure times.

Mix ratio plays a role too. Adding a touch of clear gloss or dedicated thinner to a matte clear reduces the concentration of flattening agents and helps the film lay flat. Many experienced painters on the gluing guide for stubborn parts recommend starting around seventy percent matte to thirty percent gloss over dark colours.

Brands also differ in ideal spray pressure and nozzle behaviour. Stick with one system for an entire project rather than mixing topcoats mid-build.

Spray technique that lays down even coats

Distance is the single biggest lever a modeller can pull. Hold the airbrush or can roughly fifteen to twenty centimetres from the surface. Closer than that, the wet coat puddles and dulls. Further away, the mist partially dries before landing and creates that dreaded chalk.

Move in smooth, parallel passes with about fifty percent overlap, never stopping on a panel. Trigger the airflow just before the nozzle clears the part and release it just after, so the start and end of each stroke happen off the model. This approach avoids the heavy spots that bloom into frost on edges and corners.

Light coats build better than one heavy pass. Three thin layers spaced ten to fifteen minutes apart give each coat time to flash off and let solvents escape. A wet-on-wet application might save time, but it traps thinner underneath and almost guarantees a milky finish over metallic or gloss base coats.

Timing the session around the weather

Australia's climate rarely offers a perfect spray day for long, but windows do open. A Brisbane builder chasing a matte finish in summer usually waits for a dry westerly change rather than fighting the humid sea breeze. In Melbourne, spring brings pollen surges from surrounding paddocks, so many modellers schedule their topcoat sessions for late autumn.

Humidity below sixty percent and a room temperature between eighteen and twenty-four degrees give most clears a fighting chance. A cheap digital hygrometer from any servo or hardware shop takes the guesswork out of it. If the gauge reads outside that range, hold off or shift the build into a controlled indoor space.

Planning the topcoat around the forecast also reduces the rush that leads to mistakes. Builders who pick a clear Saturday morning in Adelaide or Perth usually end up with cleaner results than those squeezing a coat between meetings. Patience in scheduling is itself a tool.

Topcoat Base Drying speed Frosting risk Best use
Mr. Super Clear Matte Lacquer Fast Moderate Gloss base colours and metallics
Mr. Color Flat Clear Lacquer Fast Moderate Airbrush work, smooth blends
Tamiya Flat Base TS-80 Enamel Slow Low Rattle-can convenience
Vallejo Mecha Varnish Acrylic Medium Low indoors Indoor builds, low-odour sessions
Gaia Notes EX-04 Lacquer Medium-fast Low Premium finishes, show builds

If a build has reached the matte topcoat stage, the hard work is nearly done. Drop into the Gundam Eclipse community to share finished pieces, ask for troubleshooting on a stubborn kit, or browse the Display Case for inspiration. Builders who want a second opinion on a specific brand or technique can also reach the team through the contact page and get a reply within a couple of days.

A member-contributed review of the Moderoid 1/60 SAVAGE CROSSBOW kit, published in the Gundam Eclipse Reviews section. The reviews area hosted 246 topics and roughly 1,400 posts.

PG 00 Gundam

November 4, 2018 — by heathorn

A completed Perfect Grade 00 Gundam build showcased in The Display Case. This section featured approximately 2,200 topics and 24,900 posts, making it one of the forum's largest galleries of finished work.

HG Zeta Gundam Evolution Project

2018 — by kajnrig

An ongoing High Grade Zeta Gundam customization project shared in the Work-in-Progress Thread. This was the most active section on the forum, with roughly 1,400 topics and 34,300 posts where members exchanged feedback and progress updates.